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The Canon 70-200mm f/2.8 L is made to Canon's top professional standards, exactly like their 70-200mm f/2.8L IS II. Enjoy high quality performance, low cost prints and ultimate convenience with the PIXMA G series of refillable ink tank printers.

This new Nikon 70-200mm f/2.8 E FL is the world's best 70-200mm lens because it's the sharpest, the best made, and most importantly, the lightest and closest-focusing f/2.8 70-200 ever made. It focuses nearly instantaneously and has great vibration reduction so you won't need a tripod. Bokeh, the feel, character or quality of out-of-focus areas as opposed to how far out of focus they are, is neutral. Blur circles are simply circles. So long as you want to shoot at f/2.8 with any camera, no problem; but there is no way that cameras introduced before 2007 can stop down the electronic diaphragm. Look at how sharp is the metal mesh, even in the corners, and this is shot wide-open at f/2.8 at 36 megapixels. You can't get sharper than this. This is made as Canon makes most of their pro lenses today: plastic on the outside for weight and to keep your fingers from freezing to it in the cold, and lots of metal on the inside where it counts.The Nikon 70-200/2.8 FL is made better than most other Nikon autofocus lenses. It's got metal where we need it, and plastic where we can save weight. Flare and ghosts are typical for a modern complex zoom. You'll never see any unless you go out of your way to shoot directly into the California desert sun, and then only if you deliberately put something dark on the other side of the frame against which to highlight any ghosts. When used DX, it sees the same angle of view as a 105~300mm lens sees when used on a 35mm or FX camera. There's also the issue of sealing. While the RF 70-200mm possesses the same top-tier weather sealing as Canon's other L-series glass, the fact that it telescopes does make us wonder if water and particulates will start to find their way through the seals –especially if you're zooming in and out constantly while shooting in wet or dusty environments.

The factor 0.393701 is the result from the division 1 / 2.54 (inch definition). Therefore, another way would be: Engraved and filled with paint on a little piece glued into a recess on the bottom of the tripod collar. A sample images taken with the Sigma 70-200mm f/2.8 DG DN OS | Sports (Image credit: Aya Iwasaki | Sigma) Even in daylight it's very helpful as I can hand-hold water-blur shots or stop all the way down for depth of field. I use a clear (UV) protective filter instead of a cap so I'm always ready to shoot instantly. I only use a cap when I throw this in a bag with other gear without padding — which is never. The UV filter never gets in the way, and never gets lost, either.

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Desert Construction, 20 November 2016. Nikon D810, Nikon 70-200mm f/2.8E FL at 200mm at f/2.8 at 1/1,000 at Auto ISO 100. bigger or camera-original file to explore on your computer. Manual focusing is entirely electronic; the manual focus ring isn't connected to anything other than a digital encoder. Golf Course with Palm Trees and Mountains, 21 November 2016. Nikon D810, Nikon 70-200mm f/2.8 FL at 82mm at f/2.8 at 1/2,000 at Auto ISO 100. bigger or full-resolution file to explore on your computer. The very best protective filter is the Hoya multicoated HD3 67mm UV which uses hardened glass and repels dirt and fingerprints, and is also multicoated.

Used on a 1.3x camera it sees angles of view similar to what an 85 ~ 250mm lens would see on a full-frame or 35mm camera. The lens' four AF buttons are much easier to reach than using the one on the camera. The lens' AF buttons are easy to use while holding the camera in any orientation. This 70-200FL works flawlessly on all Nikon FX cameras. It also works perfectly on recent DX cameras like the D3300 and D500. See Nikon Lens Compatibility for the complete list.I tested the E-mount version of the 70-200mm with the Sony a7R IV and a7R V. The a7R IV is a camera I own, whereas Lensrentals provided the a7R V so I could more easily conduct side-by-side tests with the Tamron 70-180mm G2. The Sigma balances well on both bodies, but I still found the extra support of a baseplate helpful. Fulfilling the dream of mirrorless and quite different from Sony's big, fat and bloated 70-200/2.8 GM, this Canon RF 70-200/2.8 is much smaller and lighter than any other 70-200 f/2.8. It's about half the length of other 70-200/2.8s. It's the lightest 70-200/2.8 ever made and focuses super close. BRAVO! I see no additional improvement with the EOS R5 and its in-body stabilization with firmware 1.1.0; I get the same results on my EOS RP. UD extra-low dispersion elements, which help reduce secondary axial chromatic aberration. One of them is also aspherical.