Moonflower

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Ruhlmann, William (2011). "Moonflower - Santana | AllMusic". allmusic.com . Retrieved 28 August 2011. Le Détail des Albums de chaque Artiste – S". Infodisc.fr (in French). Archived from the original on 22 October 2014 . Retrieved 9 June 2012. Select Santana from the menu, then press OK . written in that style (I`ll be Waiting), while others still maintain the earlier Santana sound (the At this stage of my life I was already beginning to discriminate against songs that gained radio popularity despite the fact that some songs that I deemed "great" did happen to achieve fame and fortune, but Santana's "hits" actually turned me away from seeking his albums out for a long time. It was Moonflower that helped me understand that sometimes an album's "best" songs (i.e. the ones I liked most) were not always the ones chosen for radio play as "hits." Also, disco was in full swing, as can be told through some of these rhythm styles. Thus songs like "I'll Be Waiting" and "She's Not There" were not my favorites. The playful ones, like "Jugando", and "Zulu", "Bahia", "Dance Sister Dance", and "Soul Sacrifice/Head, Hands & Feet" attracted my admiration, but it was really the seductive melodies of "Europa" and "Flor d'luna" and "Transcendance" that made me want to sit up and take notice. Then there is the finale, the great, great jam of "Savor/Toussaint l'overture"--one cookin', happy-to-be-alive song that I always loved to blast on my stereo.

Oricon Album Chart Book: Complete Edition 1970–2005 (in Japanese). Roppongi, Tokyo: Oricon Entertainment. 2006. ISBN 4-87131-077-9. Photography By [Inside Sleeves: Santana Band] – Dennis Callahan, Don Briggs, Ethan Russell, Richard McCaffree Dutch album certifications – Santana – Moonflower" (in Dutch). Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers. Enter Moonflower in the "Artiest of titel" box. The audiences at the Olympiahalle-Munich, Germany, The Foire des Vins-Colmar, France, The Pavillion de Paris-Paris, France and Hammersmith Odeon-London, England were an inspiration to the band.I just cannot get into Santana R&B for the most part, it is just not the band's forte, although out of all the vocalist the band had, Greg Walker may have been their best soulster, and "Transcendence" is a great tune. Photography By [Inside Booklet: Santana Band] – Dennis Callahan, Don Briggs, Ethan Russell, Richard McCaffree

I generally enjoy it a lot, I still haven't gotten much further into his discography. Suggestions are The sad side here is that both "Chepito" Areas and Dave Brown have left the band. Although they were not the most prolific in terms of input, they were members from the early days.The new studio material? "Transcendance" is probably my favourite of those, followed by "I'll Be Waiting.""Dawn / Go Within", "Zulu" and "Bahia" are all very nice, though slightly unessential. "Flor d'Luna" is not my favourite kind of music, but a fine performance, "El Morocco" is quite impressive, and the cover of "She's Not There" more than equals the Zombies original, though originality is a value in itself. Actually, the Santana version of "She's Not There" was played so frequently on the radio throughout my childhood and teenage years that I used to think this one was an original version. Remnants of the original band were always there, but to stay relevant, the band was shifting and growing. Savor/Toussaint L'Overture" (Santana, Rolie, Brown, Michael Carabello, Michael Shrieve, Areas) – 12:56 (Live)